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This is Lucille
A window on the Paris theatres between the wars that hadn’t changed much since Lautrec’s day
Punch magazine was still a part of life when I was growing up
He was often in drag for his London roles and Shaw wrote the part of the Dauphin in Saint Joan for him
A proponent both as a critic and painter of the American realist school he must have enjoyed the irony of winning second prize to Picasso’s first at the Carnegie Institute’s International Exhibition of Modern Painting in 1930
Loire River Bed, France Still Lifes This is LucilleOriginal artwork
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